Wednesday, October 29, 2008

The 1950 King of CustomCars - The Merc

Engine Specifications
RATING:

The 1950 Mercury 8 cylinder, V-type, L-head engine develops 110-hp at 3600 rpm. Maximum torque: 200 foot pounds at 2000 rpm. Taxable hp., 32.5. Bore, 3 3/16 in. stroke, 4 in. Total displacement, 255.4 cu. in. Three point rubber mounting. Compression ratio, 6.8 to 1. Counter-balanced crankshaft with 3 main bearings. Heat treated aluminium alloy pistons with steel struts. Two compression and two oil rings. Alloy steel exhaust valve inserts for long life. One piece valve guides.
LUBRICATION:
Gear type oil pump. Forced feed to all crankshaft and camshaft bearings. Heavy duty oil filter. Sludge traps in crankshaft. Positive crankcase ventilation to reduce moisture condensation. Oil capicity, 5 quarts.
COOLING SYSTEM:
Full flow system circulates all coolant through block and cylinder heads, for uniform cooling and longer engine life. Two high velocity water pumps. Long water jacket warms oil in cold weather - cools oil on long drives. Silent fan. Coolant capacity 22.25 quarts.
FUEL SYSTEM:
Fuel tank capacity 19 1/2 gallons. Camshaft driven diaphragm-type fuel pump. Automatic choke. Oil bath air cleaner*. New dual-downdraft "Econ-O-Miser" carburetor, concentric type, Checks vapor lock, saves fuel.
ELECTRICAL SYSTEM:
Battery, 17 plate, 100-ampere hour. High capicity generator with automatic voltage control. Automatic spark. Single breaker distributor.
Chassis Specifications
FRAME:
Heavy steel, cold-riveted and welded. X-member frame with K reinforcement bracing. Frame for convertible reinforced to provide even greater rigidity and strength.. Wheelbase, 118 inches. Over-all length, 207 inches; station wagon 214 inches.
BODY:
All steel., heavily reinforced with welded steel floor. Insulated against noise and heat. Roomy luggage compartment with counter-balanced lid.
WHEEL SUSPENSION:
Front, independent coil springs, with hydraulic shock absorbers inside. Stabilizer bar to reduce roll. Rear, extra-long longitudinal semi-eliptic leaf springs, with full length liners which require no lubrication. Telescopic shock absorbers mounted "sea-leg"fashion to reduce vertical shock and sidesway.
DRIVE:
Single dry-plate clutch with low pedal pressure. Standard 3/1-speed silent transmission with synchronizers to provide quiet shifting. Hotchkiss rear drive with semi-floating rear axle and hypoid-type ring gear and pinion. Gear ratio, 3.9 to 1. Integral hub and axle. rear wheel bearings permanently lubricated. Touch-O-Matic Overdrive* reduces enging speed 24%, saving engine wear, fuel, and oil. Axle ratio for Overdrive is 4.27:1

BRAKES:
"Duo-servo" type, four-wheel hydraulic brakes. "Auto-action" decreases pedal pressure required for quick straight line stops. Cable-type parking brakes on rear wheels.
TIRES:
Super-balloon 7.10 x 15 tires are mounted on pressed steel wheels with extra wide rims for safety and riding comfort.
* Optional equipment at extra cost. White side-wall tires and rear fender shields available also at extra cost.

THESE SPECIFICATIONS WERE IN EFFECT AT THE TIME THE BROCHURE WAS APPROVED FOR PRINTING. MERCURY DIVISION OF THE FORD MOTOR COMPANY, DETROIT, MICHIGAN, WHOSE POLICY IS ONE OF CONTINOUS IMPROVEMENT, RESERVES THE RIGHT, HOWEVER, TO DISCONTINUE OR CHANGE AT ANY TIME, SPECFICATIONS, DESIGN, OR PRICES WITHOUT NOTICE AND WITHOUT INCURRNG ANY OBLIGATION.

RedneX etiquette

Coming from dalsland I sometimes get to hear that Im probably a redneck coming from the deep dark forests of dalsland.So to increase ordinary peoples understanding of rednecks Ive put together some of the rednecks code of etiquette....

Redneck Driving Etiquette.
Dim your headlights for approaching vehicles, even if the gun is loaded and the deer is in sight.When approaching a four-way stop, the vehicle with the largest tires always has the right of way.Never tow another car using pantyhose and duct tape.When sending your wife down the road with a gas can, it is impolite to ask her to bring back beer. Never relieve yourself from a moving vehicle, especially when driving.Do not remove the seats from the car so that all your kids can fit in.

Redneck Personal Hygiene.
Unlike clothes and shoes, a toothbrush should never be a hand-me-down item.If you have to vacuum the bed, it’s time to change the sheets.While ears need to be cleaned regularly, this is a job that should be done in private using one’s OWN truck keys.Plucking unwanted nose hair is time-consuming work.A cigarette lighter and a small tolerance for pain can accomplish the same goal and save hours.Note: it’s a good idea to keep a bucket of water handy when using this method.

Redneck Dining Out.
Remember to leave a generous tip for good service.After all, their mobile home costs just as much as yours.
Redneck Entertaining in Your Home.A centerpiece for the table should never be anything prepared by a taxidermist.Do not allow the dog to eat at the table … no matter how good his manners are.If your dog falls in love with a guest’s leg, have the decency to leave them alone for a few minutes.

Redneck Dating (Outside the Family).
Always offer to bait your date’s hook, especially on the first date.Be aggressive. Let her know you areinterested: "I’ve been wanting to go out with you since I readthat stuff on the men’s bathroom wall two years ago." If a girl’s name does not appear regularly on the bathroom wall,water tower, or an overpass, odds are good that the date will end in frustration.

Redneck Theater Etiquette.
Crying babies should be taken to the lobby and picked up immediatelyafter the movie has from talking to characters on the screen. Tests have proven they can’t hear you.

Redneck Wedding Etiquette.
Livestock is usually a poor choice for a wedding gift.Its is not okay for the groom to bring a date to a wedding.When dancing, never remove undergarments, no matter how hot it is. A bridal veil made of window screen is not only cost effective but also a proven fly deterrent.For the groom, at least rent a tux.A leisure suit with a cummerbund and a clean bowling shirt can create a natty appearance.Though uncomfortable, say yes to socks and shoes for this special occasion.

Redneck Etiquette for All Occasions.
Never take a beer to a job interview or ask if they press charges.Always identify people in your yard before shooting at them.Always say "Excuse me" after getting sick in someone else’s car.It’s considered tacky to take a cooler to church.Even if you’re certain that you are included in a will, it’s considered tacky to drive a U-Haul to the funeral home.The socially refined never fish coins out of public toilets, especially if other people are around.Always provide an alibi to the police for family members.

Tv Shows of The Fifties

The first thing you need to know is that there wasn't much of it. Mostly, in the afternoons and evenings. The second thing you need to know is that it was black and white. Actually, it was various shades of gray. Dithered, sort of. And, ladies, just think of it, No Remote Control!!!!!!! We were enthralled. This was much better than radio. You became very popular, very quickly if your family had a T.V. And people would linger outside the windows of stores that sold this new wonder - hoping to catch a glimpse of the future. Our view of the world around us would forever be shaped by the images on the television. For those of you too young to know, it was as revolutionary a change as the world before and after the Internet. We all loved Lucy, and Ricky and Fred and Ethel and Desiderio Alberto Arnaz IV, the real, Little Ricky...
I Love Lucy ('51)
Lucille Ball as Lucy (MacGillicuddy)Ricardo Desi Arnaz as Ricky RicardoVivian Vance as Ethel MertzWilliam Frawley as Fred Mertz Keith Thibodeaux as Little Ricky
American Bandstand began as a local program in Philadelphia in 1952. Then it was called Bob Horn's Bandstand. In July of 1956 the show got a new host, a clean-cut 26 year old named Dick Clark. When ABC picked the show up, it was renamed American Bandstand, airing it's first national show on August 5, 1957. Weekday afternoons were spent with the kids in Philly, the kids on American Bandstand. I knew all their names. I knew when couples broke up. I imitated all the dance steps, sometimes with the refrigerator door as a partner. My mother thought I was nuts. To many of you, it was about the music and the artists. Forget that. I was a preteen, which is to say, I was a teenage wannabe. And, for me, the kids on Bandstand were all I aspired to be.


"It has a good beat and you can dance to it." Dancing was a major feature of Bandstand. The kids who showed up every day (Bandstand aired every weekday afternoon for the first six years) knew all the most popular steps. The Slop. The Hand Jive. The Bop. They even invented a few - the Stroll, the Circle and the Chalypso. These experienced regulars considered an infrequent participant or a first time visitor "an amateur." I wonder what they would have thought about a kid in TV Land, practicing the new steps in front of her bedroom mirror and praying to God her little brother didn't catch her at it. American Bandstand became the springboard for launching the careers of most of Rock's early stars. Among them: Bill Haley and the Comets, Buddy Holly, Connie Francis, Bobby Darin, Fabian and Ritchie Valens.





Dick Cark was inducted into the Rock and Roll Hall of Fame in 1993. Richard W. Clark was born November 30, 1929. He entered the music business as a sales manager for an upstate New York radio station at age seventeen. In 1952, Clark began doing a radio show "Caravan of Music" at WFIL in Philadelphia. The station's TV affiliate had a teen-oriented show called Bandstand which was hosted by Bob Horn. Taking over the reins in July of 1956, Dick Clark turned American Bandstand into a national institution.
Aw, shucks, pardner... Things were so simple in those golden days of yesteryear. Good guys wore white, bad guys wore black and none of the guns were fully automatic. See how many of these you remember....

('49) The Lone Ranger
Clayton Moore Jay Silverheels as Tonto *Who was that masked man? John Reid was a Texas Ranger who, after being injured in an ambush, was nursed back to health by Tonto. Remember kemo sabe? Means "trusted scout"




('57) Zorro
Guy Williams (real name: Armando Catalando) as Don Diego de la Vega Henry Calvin as Sgt. Garcia Gene Sheldon .... Bernardo George J. Lewis .... Don Alejandro de la Vega (Tornado - Horse) The note Zorro left behind with his signature Z: My sword is a flame To right every wrong So heed my name Guy Williams died in 1989 of a brain aneurysm




('59) Bonanza
Lorne Greene as Ben Cartwright (Big Buck) Pernell Roberts as Adam Cartwright (Beauty) Dan Blocker as Eric "Hoss" Cartwright (Ginger, Piute and Chubb) Michael Landon as Joseph "Little Joe" Cartwright (Paint and Cochise) Victor Sen Yung as Hop Sing Ray Teal as Sheriff Roy Coffee David Canary as "Candy" Canaday I loved this show, but ya just gotta wonder would it have killed them to have had a Cartwright daughter? The Cartwright's thousand-square-mile Ponderosa Ranch is located near Virginia City, Nevada, site of the Comstock Silver Lode. Life with Ben must have been tough because none of his wives survived it. Adam was born in New England and his mother was Elizabeth. Hoss' mother Inger was killed by Indians. She was Scandinavian and Hoss means "good luck" in Norwegian. Little Joe's mother, Marie, was a woman Ben met in New Orleans and she died from a fall from a horse. Dan Blocker died in 1972 after a surgery. Lorne Green died in 1987 of pneumonia. Michael Landon died in 1991 of pancreatic cancer.

Links To Cool Vintage Stuff

Where Can I Find Stuff???

Shokus Videos - The TV
Connection

For all of you who want to find videos of vintage TV shows.
Plus, the site maintains a voice mail bulletin board for exchange of
information by collectors past and present.

e/p
Partners- Collectors of 50s & 60s TV

Ron Evans and Greg Prevost
have collected over 12,000 episodes of Classic TV shows. Go by and see what a
huge library they have amassed and maybe you'll find something to trade!

Jim's Television
Series and Movies

Jim also has many movies and TVseries available. His
site is growing - and so is his collection.

Life is a Movie
Daniel's
goal is to get to 30,000 titles of classics on video. So here's another
possibility for those hard to find tapes.

Whirlin' Disc
Need some
Oldies vinyl for your jukebox? Then Steve Blitenthal is your man.

Legends Concert
Posters

This site is a marvel. Concert, movie and show posters. Plus
oodles of 45's. They have so much stuff, you better plan a long visit!

The Jukebox Man
Info
and spare parts for almost all types of Jukeboxes.

Do-Wah-Diddy
An especially
well designed site of collectibles. Fun just to browse!

Sozio - Fabulous Fifties Casual
Dining

For everyone looking to do their kitchens "Fifties" style -
tables, chairs, assessories!

Moon Shine - Reproduction
Fiberglass Lampshades

They's got 'em at Graceland. And they're
reasonably priced. You got see these retro lampshades!

Old Time Candy Company

Karen and Donny are Boomers who remember well the sweets of yesteryear! Their
site offers a lot of variety and flexibility to make choosing easier!

Sparkle Factory

Especially well done site for retro collectibles.

Famous Farewells
This
is really unusual. Send flowers to your favorite dead celebrity. Clever.

Barkcloth
Hawaii

Hawaiian Tropical Vintage 50's Barkcloth Fabrics For Sewing or
Retro Home decor: Upholstery, Drapery, Crafts and Garments

Deadly
Nightshades

The coolest 50s lampshades which are handmade!

Doo Wop Shoo Bop Records &
Cds

This site has some of everything, including complete track listings
and some cool pics.

Oldies Music Fun


Rockin' Fifties
Go see
Roger. Not only is he an especially nice person, he has FULL LENGTH WAVS!And
lots of Fifties info :>)



Smick and Smodoo's
World

Wanna know where I go to feel good? Right here. It's a midi site
and a lyrics site and a kids site and...well, you owe it to yourself to go
see.


Oldies Music
Ron Smith's
Oldies Calendar, Top Hits, Battle of the Bands and approximately a zillion
links to Rock artists.

The
Connie Francis Pages

Michael Wright has done a superlative job of
chronicling Connie 's life and estimable career.


About.com - Classic
Rock

Patty Williams has assembled the very best set of Rock links. She
has been especially resourceful at finding great databases. And, for those of
you looking for Sixties stuff, Patty's found it!

The Coasters
Website

An amazing resource, not just for Coaster info, but for all of
R&B! Very informative.

Bobby Rydell Fan Club

Linda Hoffman a has done a wonderful job of capturing Bobby as a young teen
idol, and Bobby as a master performer today!

Paul Evans, Recording Artist and
Songwriter

Paul wrote many hits for himself and others - including
Elvis! And he tells great stories!

Rock and Roll Hall of Fame

The mother lode of Rock n' Roll info. Much more than just a virtual visit to
the Museum. If you are interested in a paricular artist - try the Search
feature to find additional information. Plenty of audio clips, as well.

Classic TV Sites

TV Party
Billy Ingram has
recreated a world of days gone by. All those shows that meant so much are
lovingly rendered at this very special TV Party!

TIm's TV Showcase
A personal
favorite of mine. Tim has done a terrific job of cataloging shows both past and
present. He has pics, info and more.

About.com - Classic TV

Guide Debi Jenkins is a classic TV enthusiast who has assembled a wonderous
list of links to Classic TV on the Net. But there's more! She has Chat and
message boards and trivia... you'll just have to go visit to see.

About.com - TV Comedies

Enjoy a good laugh? Guide Brian Uhl does too and he'll tell you where to find
'em! A huge area devoted to TV comedies. Chat too!

Whirligig - British
Televison Nostalgia

A wonderful resource. And remember, many of those
shows aired here as well.

Television
Heaven

Again, the Brits provide a very thorough look at classic TV. This
site is quite comprehensive.

Mousketeer - Lonnie
Burr

Lest you think Original Mousketeer Lonnie Burr has been idle
these many years, visit his site. His credits are most impressive! And he has
generously shared many endearing pics from his personal collection.


Official Bob Denver Gilligan's
Website

Created by Bob's talented wife Dreama, this is a great tribute
to a wonderful show.

Dennis the
Menace

Want to know something about Dennis? David's site has all the
answers!

Westerns and the Old West

Cowboy Pals
If my e-mail is
any indication, you want more cowboys! This site is incomparable for depth of
information and love of subject. Joe Konnyu, who runs this huge site, is a true
gentlemen of the Internet.

The Old
West

Jim Janke says, "...the Old West is not really a time or a place
but a state of mind. " And his site proves it. All manner of links to cowboys
real and ficticious. A great resource.

Broken Wheel Ranch - the
Fury and Joey Website

This wll take you back to some wonderful Saturday
AM moments!

Johnny Ringo
The place to
go for full show info (including episode guide) and scads of stuff about Don
Durant!

The
Rifleman

For all you Chuck Connors fans!A great site with lots of info
about that special Winchester, too!

General Fifties Stuff

Internet Movie Database
The IMDB
provides a wonderful, searchable database containing all things great and small
regarding movies and television. Want to know what other movies a director has
made and who starred in those flics? It's here. Mirrors available.

Boomer Baby
A great place
to share memories with other Boomers!

The History Channel

The History Channel gets voted "best all around." Links galore, This day in
History, scads of interesting historical information presented in a painless
way. From the cable channel.

Seniority.co.uk
From the
Brits - a wonderful site for the young at heart with 50+ years of life
experience!


Circa 1950
A great site
for fashion info! Also learn about tableware, collectibles and other areas of
50s style.

Colored Reflections

A stunning site which, through many personal recollections, tells the
story of the African American in the last half of the Twentieth Century. An
important source of American history.

Boomers
International

Attention all Baby Boomers. This site has so much
material of interest and links to even more. Boomers are COOL. Especially here
with Jeri Maier as guide.

The Baby Boomer
Times

Denny Jackson has the best pics from the 40s, 50s, 60s and 70s! A
nice trip back.

Triumph Mayflower
- Triumphs forgotten car (1949 - 1953)

British historian Coulman has
done a great job of defining this auto. Plus, you get to look at some great
pics of a classic.

The 1988 Trans Am GTA Review

"The Pontiac Trans Am GTA is a car that needs no introduction and even less explanation. Any service station attendant who’s been around long enough to figure out where the nozzle goes has a clear concept of this car’s reason for being. People who have their names sewn onto their shirts just go crazy over the GTA; the car is such a clear-cut piece of Americana that no Average Joe can possibly resist it . But, surprisingly, the GTA also seems to strike a pleasant chord with a lot of people who have collars in hues other than basic blue . For your average thirtysomething professional type, the GTA fills the bill as the ‘60s /’70s musciecar that was too expensive to be feasible back when we wore bellbottoms — and worked as gas station attendants. The GTA gives you most of the classic V-8 musclecar fun without beating you up like the original would’ve. A couple decades of refinement on the basic musciecar concept have paid off with a car that is, overall, more satisfying than the original item. The GTA sits at the top of Pontiac’s Trans Am / Firebird line and comes - standard with almost everything that can be shoehorned into or bolted onto the base car. This platform is so loaded that the GTA buyer has few important decisions left to make. He can go with the standard 5.7-liter V-8 and its 4-speed automatic transmission, or opt for the 5-liter engine that can be had with a 5-speed manual transmission.




Highlights on the options list are leather upholstery or the notchback decklid. Our test car had the notchback lid, a little trinket that would set the buyer back about $700 and cost about 2.5 cu ft of luggage capacity, certainly not the most practical option, but one that’s hard to resist if you like the look. The GTA’s standard 5.7-liter engine is available only with the automatic transmission. If you just have to shift manually, then you’ll just have to go for the smaller engine. The power difference between the two is significant: the big motor has 225 hp, up 10 ponies from that of the smaller engine. The big engine has an impressive 45 lb-ft torque advantage when it reaches its 330 lb-ft peak at just 3200 rpm. The street performance difference between the two engines isn’t as large as those numbers would lead you to expect. We’ve put the two engines head-to-head in the past - one in a Firebird Formula and one in a Camaro IROC-Z, which are basically identical platforms. The 0-60 acceleration is about a half second faster with the big engine, and the quarter-mile time is about a half second and three (3) mph better. In a comparison of passing times from 40-70 mph, the small engine is actually quicker. While the automatic transmission is busy downshifting, the manual transmission is putting its engine’s power to the ground. The small engine accelerates through the test in 6.3 sec, while the big-engined car takes 7.1 sec. Our GTA turned in pretty respectable performance numbers. It covered the quarter mile in 15.88 sec with a terminal speed of 90 mph flat, and bolted from 0-60 in 7.38 sec. When you consider how much money you have to spend to go much faster than this, the GTA comes out looking awfully good. The V-8 is a load of fun to use; there’s a huge ground swell of torque in the lower half of the engine’s operating range that shoves you back in the seat and will light the rear wheels if traction is less than perfect.





The automatic transmission isn’t the world’s most sophisticated device; it can be fooled pretty easily. The engine’s generous power delivery encourages sudden bursts of throttle to dispense with unpleasant traffic situations, but your typical industry-standard 3-sec blast is often wholly unsatisfying. Imagine yourself rolling down the street at, say, 30 mph. You decide to jam the throttle through the firewall — strictly in the name of science, mind you. For about the first second, the transmission frantically downshifts; by the end of second No. 2, the transmission has selected a ratio (probably 1st, God forbid), the engine has built up the necessary rpm, and at last begun to put some power to the rear wheels. By that point, the driver (that’s you, pal) has already lost interest in the whole deal and pedestrians are wondering what all the commotion is about. Talk about much ado about nothing..... Greater driver finesse is required to avoid such undignified behavior. By squeezing on about half throttle gradually, the GTA surges forward immediately, as the transmission steps down smoothly into 2nd. The car pulls hard, just like a big V-8 should, and the car’s reason for being is validated. The GTA’s chassis and suspension is, shall we say, basic. The front end is supported by MacPherson struts, and out back there’s a good old straight axle. Pontiac has milked quite a high level of performance out of such mundane stuff, however. The GTA comes with the WS6 performance suspension package, which includes big anti-roll bars front and rear, special springs, gas-charged shocks, and quick-ratio power-steering.

The P245/50VR16 Goodyear Eagle GT tires don’t hurt, either. Together, all these pieces make the GTA a real threat on the skidpad. Our test car generated 0.87 lateral g, with mild understeer and a relatively small amount of body roll. On a swervy road, the GTA works wonderfully, provided the pavement is fairly smooth. The unsophisticated rear suspension has a lot of unsprung weight, and, as a result, is reluctant to follow sudden bumps and pavement lips effectively. So in smooth turns, the GTA feels balanced and accurate with mild understeer; in the bumps, the car’s tail end gets looser and looser in direct proportion to the severity of the bumps, while the front end stays planted. Not to worry, the Trans Am’s steering is quick and accurate, with just the right amount of assist. The car is great fun to work through a series of fast turns; it feels solid and forgiving. The Pontiac GTA really handles better than it has any right to, given its low-tech underpinnings. In some situations, the automatic transmission surprises you in mid-turn with an unexpected downshift; rowing the selector manually allevates that problem. The GTA is also a little short on braking power for protracted sessions of tight back road abuse. The quartet of ventilated discs can make a big stink and fade significantly if repeatedly called upon to haul the 3604-lb GTA down from speed. Given just a bit more time to shed heat, they hold up well. We’ve driven around roadrace courses with the same brake setup (on a Firebird Formula) without noticeable fade, and, for anything close to normal street use, the brakes are adequate. Life with the GTA is just what you’d expect, only a little better. First, the stuff you’d expect. Like any proper musclecar, the GTA is the model of classic American inefficiency.



The car’s external dimensions are comparatively huge, but of course there’s minimal luggage space inside, and the cockpit is as claustrophobic as the one in the lunar module. Fuel mileage can be pulled down into the 10-mpg range with a longer than standard right leg. Pontiac rubs your nose in it by providing just 15.5 gal of fuel capacity. At that rate, it’s hardly worth putting the gas card back in your wallet.
Just leave it out — you’ll need it again in a few minutes. What you might not expect from the GTA is a relatively high level of passenger comfort. The interior is tastefully appointed and offers front seat occupants of normal size plenty of room to get comfortable. The GTA’s front seats have electrically adjustable lumbar and side support. The other adjustments are manual and simple to use. The back seats are liveable for short stints, or for kids, particularly ones you’re angry with, and also flip down to provide more cargo capacity. The interior noise level is pleasantly subdued, although the wide Goodyears telegraph a fair amount of road noise into the cabin when the pavement is choppy. And the engine is always audible, though most GTA buyers would consider this an asset instead of a liability. The ride quality is definitely on the firm side, but it’s by no means abusive. Instrumentation is all analog, with big, legible dials that span half the dashboard. There’s a gauge for everything you might be interested in, as well as some functions you might rather forget about (like the fuel 1evel, for example). The GTA’s upgraded AM/FM/cassette stereo sounds pretty decent, but suffers from a bad case of button overload. There are no fewer than 45 separate controls for the system, split between the unit itself and the remote controls on the steer-ing wheel. The result is often confusion instead of convenience. Unbelievably, of the twelve (12) buttons on the wheel, only the two volume control buttons have any effect on tape deck operation. The rest are devoted exclusively to the radio. On our test car, the volume-down button on the steering wheel had an unpleasant habit of sticking, and occasionally would even activate itself. The detail finish on our test car was not impressive, either.

There was a squeak in the console and a creak in the decklid. One of the plastic trim pieces came adrift on a gas decklid spring. On the other side, a trim piece was missing entirely. Our right side door scuffed the "ground-effects” rocker panel every time it was opened or closed. When empty, the passenger seatback flopped fore and aft a couple inches under braking. Oh, well..... Given the GTA’s target audience, it’s hard to argue with the car's mix of attributes — or to complain much about its liabilities. It’s doubtful that the musciecar experience would be significantly improved with a more modern chassis design. General Motors already builds the Corvette to satisfy high-end, chassis-oriented V-8 buyers. For the the Trans Am GTA, price is probably as important a feature as its 0-60 time, and it scores well in both of these measures of performance. For about 20 grand, you can slide yourself, for better or worse, behind the wheel of a legendary musclecar. That’s cheap for a legend, don’t you think?"


Tech Data
GENERAL

Vehicle Mfr..................Pontiac Motor Division, General Motors Corp., Pontiac. Mich. Body type:.......... 4-passenger, 2-door Drive system:.......... Front engine, rear drive Base Price:.......... $19,299 Price as tested:.......... $19,999
ENGINE
Type:.......... V-8, cast iron block and heads, water-cooled Displacement:.......... 5736 cc (350 cu in.) Compression ratio:.......... 9.3:1 Induction system:.......... Multi-port EFI Valvetrain:.......... OHV, 2 Valves/cylinder Max. power (SAE net):.......... 225 hp @ 4200 rpm Max. torque (SAE net):.......... 330 lb-ft @ 3200 rpm Emissions control:.......... Catalytic converter, EGR, air pump Recommended fuel:.......... Unleaded premium
DRIVETRAIN
Transmission:.......... 4-sp. auto.. O/D Transmission ratios:.......... (1st) 3.06:1 (2nd) 1.63:1 (3rd) 1.00:1 (4th) 0.70:1 Axle ratio:.......... 2.73:1 Final drive ratio:.......... 1.91:1
CAPACITIES
Crankcase:.......... 4.7 L (5 qt) Fuel tank:.......... 58.7 L (15.5 gal) Luggage:.......... 351 L (12.4 ft) Range (at EPA combined):.......... 474 km (294.5 ml)
SUSPENSION
Front:.......... independent MacPherson struts, coil springs, hydraulic shocks, anti-roll bar Rear:.......... Solid axle, torque arm, hydraulic shocks, anti-roll bar
STEERING
Type:.......... Recirculating ball, power assist Ratio:.......... 12.7:1 Turns (lock to lock):.......... 2.26 Turning circle:.......... 10 m (32.6 ft)
BRAKES
Front:.......... 267 mm (10.5 in.), vented discs, power assist Rear:.......... 267 mm (10.5 in.), vented discs, power assist Anti-lock:.......... Not available
WHEELS AND TIRES
Wheel Size:.......... 16 x 8.0 in. Wheel type:.......... Cast alloy Tire size & Construction:.......... P245/50VR16 steel-belted radial Tire mfr. & model:.......... Goodyear Eagle
GT DIMENSIONS
Published curb weight:.......... 1505 kg (3604 Ib) Weight distribution, f/r:.......... 57/43% Wheelbase:.......... 2566 mm (101 in.) Overall length:.......... 4867 mm (191.6 in.) Overall width:.......... 1838 mm (72.4.in. ) Overall height:.......... 1270 mm (50 in.) Track, f/r:.......... 1541/1564mm (60.7/81.6 in.)
SPECIFICATIONS
Power-to-weight ratio:.......... 16 lb/hp Int. noise IvL (60 mph):.......... 71 dBA EPA (combined):.......... 19 mpg


My Old Pontiac TA/GTA -88








These are pictures of my old Pontiac Trans Am GTA -88. Sad to say I sold it some year ago.This car had all the little special things that make a GTA to a nice car to drive and handle.The engine was a 5.7 litre 350 machine with a 4speed th700 automatic gearbox.The suspension was called performance suspension and where similar to the one you would find in a corvette.The stereo system was an original AC Delco tape recorder with remote controls in the steering wheel.It was also equipped with an alarm which, unfortunately is well needed these days.It also had central locksystem,electric windows,digital instruments,air condition,electrical seatings,cruise control,tilt steering wheel and so on...








Stuff that ive fixed and exchanged on the car was:distributor cap,spark plugs,spark plug cables,rotor,muffler,a reflector to the head lights and that was basically it...not much but well needed. Other than that I just drove and had fun with this care. It will be deeply missed and I do hope I get the chance of getting one more american classic in my life, before we all run out of gas...

The Music of the Fifties

The music of the 50's, 60's and 70's holds a special memory for those who grew up with it.It was music you could sing along with, music you could dance to, music you fell in love with.
Different music periods
1. Bubblegum - 1950 to 1954
2. Early Rock - 1955 to 1964
3. Serious Rock - 1965 to 1974
4. Disco - 1975 to 1980
5. Beats The Hell Outta Me - 1981 to Present


Charts from 1956-1960,USA
1956
1. Singing The Blues - Guy Mitchel - Columbia
2. Don't Be Cruel - Elvis Presley - RCA
3. The Wayward Wind - Gogi Grant - Era
4. Heartbreak Hotel - Elvis Presley - RCA
5. Poor People Of Paris - Les Baxter - Capitol
6. The Green Door - Jim Lowe - Dot
7. Lisbon Antigua - Nelson Riddle - Capitol
8. My Prayer - Platters - Mercury
9. Memories Are Made Of This - Dean Martin - Capitol
10. Rock & Roll Waltz - Kay Starr - RCA

1957
1. All Shook Up - Elvis Presley - RCA
2. Love Letters In The Sand - Pat Boone - Dot
3. Let Me Be Your Teddy Bear - Elvis Presley - RCA
4. Tammy - Debby Reynolds - Coral
5. So Rare - Jimmy Dorsey - Fraternity
6. Jailhouse Rock - Elvis Presley - RCA
7. Young Love - Tab Hunter - Dot
8. Bye Bye Love - Everly Brothers - Cadence
9. Little Darlin' - Diamonds - Mercury
10. Honeycomb - Jimmy Rodgers - Roulette
1958
1. At The Hop - Danny & The Juniors - ABC
2. It's All In The Game - Tommy Edwards - MGM
3. Tequila - Champs - Challenge
4. To Know Him Is To Love Him - Teddy Bears - Dore
5. April Love - Pat Boone - Dot
6. Tom Dooley - Kingston Trio - Capitol
7. Witch Doctor - David Seville - Liberty
8. It's Only Make Believe - Conway Twitty - MGM
9. All I Have To Do Is Dream - Everly Brothers - Cadence
10. Sugartime - McGuire Sisters

1959
1. Mack The Knife - Bobby Darin - Atco
2. Battle Of New Orleans - Johnny Horton - Columbia
3. Venus - Frankie Avalon
4. Smoke Gets In Your Eyes - Platters - Mercury
5. Donna - Ritchie Valens - Del-Fi
6. Mr. Blue - Fleetwoods - Dolton
7. Stagger Lee - Lloyd Price - ABC
8. Lonely Boy - Paul Anka - ABC
9. Heartaches By The Number - Guy Mitchel - Columbia
10. The Three Bells - Browns - RCA

1960
1. Theme From A Summer Place - Percy Faith - Columbia
2. It's Now Or Never - Elvis Presley - RCA
3. He'll Have To Go - Jim Reeves - Decca
4. I'm Sorry - Brenda Lee - RCA
5. Running Bear - Johnny Preston - Mercury
6. Cathy's Clown - Everly Brothers - Warner Brothers
7. The Twist - Chubby Checker - Parkway
8. El Paso - Marty Robbins - Columbia
9. North To Alaska - Johnny Horton - Columbia
10. Last Date - Floyd Cramer - RCA


A Brief History of the Early Years
Light melodies, sweet lyrics, wholesome singers. Innocent and inoffensive songs.

All of this can be said about the music of the Early Fifties. Yet, all that white American complacency could not hold back the vitality of Black R&B music, so a whole new sound emerged - Rock and Roll.

Most of the songs of the Early Fifties were "feel-good" tunes, which genuinely reflected the mood of post World War II America. Artists like Pat Boone, Rosemary Clooney and Perry Como dominated pop charts.This bored the newly independent
life form known as teenagers. Mom and Dad's music wasn't, you know, "cool, Daddy-O." About this time, a Cleveland DJ named Alan Freed (Rock and Roll Hall of Fame inductee, 1986) began playing black R&B tunes. Freed moved his show to New York in 1954 and began including live performances, especially of the artists with the vocal harmonies he favored. His called this sound Rock and Roll.
Although gaining in popularity, these black artists originally did not sell as well as their white contemporaries, who had rerecorded the same songs as what is known as a "cover version." If you have ever heard Pat Boone's "cover" of Tutti Frutti you will understand why, thankfully, this practice of having whites "cover" black artists wasn't long-lived. In the South, where Country and Western had ruled the charts, Sam Phillips (Rock and Roll Hall of Fame inductee, 1986) opened the Memphis Recording Service - the first place a black musician could go to record.
In Chicago, two brothers, Phil and Leonard Chess (Rock and Roll Hall of Fame inductee, 1987) took the best of the black bluesmen performing in their nightclub and began recording them on their Chess label. Chess Records, a storefront on Cottage Avenue in the "Little Mississippi" area of Chicago, was already
home to the great Muddy Waters. Still, what both Phillps and the Chess brothers needed was a crossover artist - someone who had the energy of Rhythm and Blues and the marketability of say, Pat Boone. Someone who could sell records. Phillips found just such an artist - a 19 year old truck driver by the name of Elvis Presley. And the Chess Brothers, well, they found Chuck Berry.

In 1952 a band out of Chester, Pennsylvania began to enjoy some modest success with a sound that was part Country and part R&B. They recorded one song in 1954 that brought only modest success. Then the song was used as the theme for a movie, The Blackboard Jungle, and that got them a whole lotta attention. The song was Rock Around the Clock and the band was Bill Haley and the Comets. (Rock and Roll Hall of Fame inductee, 1987
These diverse factors influenced the music of the Early Fifties. The bubblegum sweetness would eventually fade away, like the blush of America's post war optimism. Whereas Rock and Roll, with its irrepressible energy - well, Rock and Roll was here to stay.

The 50 Fastest Muscle Cars

These times are for the 1/4th Mile

Car/Estimated Time/Speed